Literature Review
Museum Studies
Art and Philosophy
Palettes and Colors
Classics, Chromophobia, Politics
Technologies
Multispectral Scanning / Luminescence Models
DEVELOPMENT
Museum Studies
Art and Philosophy
Palettes and Colors
Classics, Chromophobia, Politics
Technologies
Multispectral Scanning / Luminescence Models
Gods in Color 2018 exhibition
Previous attempts at side-by-side polychromy
Previous attempts modern tech for reconstruction
Easiest + cheapest polychromy tactics for museums
Classical sculptures of interest in Italy
Ownership, history + accessibility of sculptures
Italian public teaching about polychromy
Relevant organizations, universities, museums, collections
Museum connection and contract
Museum uses of AR for interaction with sculptures
Use of AR technologies in public spaces
AR in public interventions
Use of AR technology for reconstructive purposes
Challenges
of AR inside of museums
HD Photography of sculpture/s of choice
Image-based 3-D modelling
(Photoscan)
Optimization/Parametrization/Unwrapping
Texturization for palette application
Scholarly (Classical) Pigments Research
Scholarly (Classical) Pattern Research
Shortlist of art masterpieces
Modern Trending Colors Research
Modern Trending Pattern Research
Unity-based application development
Interface for the online application
interface for the
Dynamic palette database creation
Development of online site and app
Development of MagNeo AR app
Installment of hardware
Training of museum staff
Prototype testing and evaluation
Final tweaks from evaluation data
Advertising campaigns
Social media marketing
Organization of school trips
Creation + sharing of educational toolkit
Check out this example of how photogrammetry is being used to render 3D models that can be later be used to expose ancient polychromy. This is a project by Rigsters 3D at @glyptoteket, in which a Greek terracotta figurine (about 2400 years old) was 3D scanned through photogrammetry and then Visible-induced Luminescence (VIL) to locate and document traces of Egyptian blue, a synthetic pigment commonly used in antiquity.