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Cultural heritage to interpret and promote

ANCIENT POLYCHROMY

Mobirise



The history of the west is nothing if not colorful . The Greek and Roman statutes of antiquity — still popularly perceived in the collective consciousness as pure in their whiteness—were never white. Rather, they were painted, in great and often garish detail, with a variety of pigments.

Recent research on the coloration of Greek and Roman art and architecture has significantly increased our understanding of classical art, and raised new questions about Western visual aesthetics.

Ancient polychromy has been proven beyond doubt. The evidence is copious and multifaceted—including pigments that have remained in statues’ surfaces, as well as a variety of artifacts depicting artists painting statues.



Artist painting a statue of Herakles. Terracotta column-krater ca. 360–350 B.C.
Metropolitan Museum of Art.

An artist at work, with likely a brush in his right hand. Roman Carnelian ring stone ca. 1st –3rd century A.D.
Metropolitan Museum of Art.

Research about ancient polychromy is multidisciplinary by definition, as it requires the examination of ancient artworks with new methods of digital imaging, microscopy and non-destructive materials analysis. Thus, it combines art history, archaeology, philology, conservation science, geology, geochemistry, chemistry, and physics. 

Multiple national and international organizations are dedicated to the study of color in Ancient mediterranean art and architecture, including the Ancient Polychromy Network (APN) at the University of Georgia and Tracking Colour: Polychromy of the Ancient World at the Ny Carlsberg Glyptotek. Perhaps the most public-facing of these efforts is the traveling exhibition Gods in Color. Offered by Liebieghaus Skulpturensammlung – Sculpture Collection in Frankfurt, Gods in Color presents reconstructions of well-known sculptural works from ancient Greece and Rome to uncover their original colors and uncover the spirit of classical civilizations as never before. These are complemented by original antiquities from the Mediterranean world and early nineteenth-century watercolors that provide a more comprehensive view of polychromy in ancient cultures. Most of the pictures featured in this website come from the official Gods in Color exhibition catalogue.

Mobirise

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