make your own site



BIBLIOGRAPHY

Museum Studies

Experience physicality with museum objects

Petrelli et al. 2016. Tangible Data Souvenirs as a Bridge between a Physical Museum Visit and Online Digital Experience.

Marshall et al. 2016. Using tangible smart replicas as controls for an interactive museum exhibition.

Helen J. Chatterje. 2008. Touch in museums: policy and practice in object handling. Oxford: Berg. 

Sandra Dudley. 2010. Museum materialities: objects, engagements, interpretations. Routledge, London.

Elizabeth Pye. 2008. The power of touch, handling objects in museum and heritage context. Left Coast Press.

Public installations and multiple levels of engagement

Harry Brignull and Yvonne Rogers. 2003. Enticing People to Interact with Large Public Displays in Public Spaces. Proceedings of the IFIP TC.13 International Conference on Human-Computer Interaction (INTERACT 2003), 17-2.

Luigina Ciolfi. 2007. Supporting Affective Experiences of Place Through Interaction Design. Co-Design, Volume 3, Issue S1, 183 – 198.

Art and Philosophy

Art and Education, Social Impact

Schiller, F., & Snell, R. (2004). On the aesthetic education of man. Courier Corporation.

Wertz, W.F. Jr. A Reader’s Guide to Letters on the Aesthetical.

Shklovsky, V. (2015). Art, as Device. Poetics Today , 36 (3), 151-174.

Hadot, P., & Davidson, A. I. (1995). Philosophy as a way of life: Spiritual exercises from Socrates to Foucault (p. 102). Oxford: Blackwell.

Louridas, P. (1999). Design as bricolage: anthropology meets design thinking. Design Studies, 20(6), 517-535.

Sommer, D. (2005). Art and accountability. Review: Literature and arts of the Americas, 38, 261-276.

Sommer, D. (2013). The work of art in the world: Civic agency and public humanities. Duke University Press.

Sommer, D. “Rx: Arts for Global Health”, graduate-level class at Harvard University syllabus. https://rll-faculty.fas.harvard.edu/dorissommer/classes/aesthint-13-rx-arts-global-health

Classics, Chromophobia, Politics

General Chromophobia

Batchelor, D., 2000. Chromophobia. Reaktion books.

Calvo-Quirós, W.A., 2013. The Politics of Color (Re) Significations: Chromophobia, Chromo-Eugenics, and the Epistemologies of Taste. Chicana/Latina Studies, pp.76-116.

Lin, Candice. “The Body Is a Troubled Thing ...” Portfolio: Candice Lin, Frieze, 10 Mar. 2017.

Classics and White Supremacy

Debbie Challis, The Archaeology of Race: The Eugenic Ideas of Francis Galton and Flinders Petrie (Bloomsbury, 2013).

McCoskey, Denise Eileen. “Beware of Greeks Bearing Gifts: Neo-Nazis and Ancient Greeks in Charlottesville.” Origins, Aug. 2018,. 

Feldblum, Sammy. “Myth Appropriation”. The Baffler, 21 Sept. 2018.

Flaherty, Coleen. “Classicist Finds Herself the Target of Online Threats after Article on Ancient Statues.” Inside Higher Ed. 19 June 2017.

Zuckerberg, Donna. “How to Be a Good Classicist Under a Bad Emperor.” EIDOLON, EIDOLON, 21 Nov. 2016.

Chae, Yung In. “White People Explain Classics to Us.” EIDOLON, EIDOLON, 5 Feb. 2018.

Zuckerberg, Donna. “‘Learn Some F*Cking History.’” EIDOLON, EIDOLON, 5 Oct. 2017.

McCoskey, Denise Eileen. “What Would James Baldwin Do?” EIDOLON, EIDOLON, 24 Aug. 2017.

McCoskey, Denise Eileen. “Black Athena, White Power.” EIDOLON, EIDOLON, 15 Nov. 2018.
Blair, Stephen. “Erasing History?” EIDOLON, EIDOLON, 21 Sept. 2017.

Umachandran, Mathura. “Fragile, Handle With Care.” EIDOLON, EIDOLON, 5 June 2017.

Classics and Nazism

Goodrick-Clarke, N. (2003). Black sun: Aryan cults, esoteric Nazism, and the politics of identity. NYU Press.

Krebs, C.B. (2011). A most dangerous book: Tacitus's Germania from the Roman Empire to the Third Reich. WW Norton & Company.

Classics and Race in the US

Eric Adler, Classics, The Culture Wars and Beyond (University of Michigan, 2016).
William W. Cook and James Tatum, African American Writers and the Classical Tradition (University of Chicago, 2017).

Josephine Livingstone, “University History Departments Have a Race Problem,” The New Republic (https://newrepublic.com/article/145501/university-history-departments-race-problem).

Margaret Malamud, African Americans and the Classics: Antiquity, Abolition and Activism (I. B. Tauris, 2016).

Neville Morley, Classics: Why it Matters (Polity, 2018).

Carl Richard, Greeks and Romans Bearing Gifts: How the Ancients Inspired the Founding Fathers.

Barry Strauss, “The Black Phalanx:  African-Americans and the Classics After the Civil War,” Arion 12.3 (2005), 39-63.

Classics and Misogyny

Zuckerberg, D., 2018. Not All Dead White Men: Classics and Misogyny in the Digital Age. Harvard University Press.

Technologies

3D Approaches

Hedeaard et al. (2019). Multispectral Photogrammetry: 3D models highlighting traces of paint on ancient sculptures.

Lanteri et al. (2019). A New Practical Approach for 3D Documentation in Ultraviolet Fluorescence and Infrared Reflectography of Polychromatic Sculptures as Fundamental Step in Restoration. Heritage, 2(1), 207-215.

Cabrelles et al. (2018). From multispectral 3D recording and documentation to development of mobile apps for dissemination of cultural heritage. In Cyber-Archaeology and Grand Narratives (pp. 67-90). Springer, Cham.

Manferdini et al. (2016). Unveiling Damnatio Memoriae. The use of 3D digital technologies for the virtual reconstruction of archaeological finds and artefacts. Virtual Archaeology Review, 7(15), 9-17.

Galeazzi, F. et al (2015). Comparing 2D pictures and 3D replicas for the digital preservation and analysis of tangible heritage. Museum management and curatorship 30 (5), pp. 462-483. 

Multispectral Scanning and Luminescence Models

Haladová et al. (2015). Utilizing Multispectral Scanning and Augmented Reality for Enhancement and Visualization of the Wooden Sculpture Restoration Process. Procedia Computer Science, 67, pp.340-347.

Bridgeman, C.F., Gibson, H.L. (1963). Infrared luminescence in the photographic examination of paintings and other art objects. Studies in Conservation 7(3), pp. 77-83.

Dyer, J et al. (2013). Multispectral Imaging in Reflectance and Photo-induced Luminescence models: A User Manual. British Museum. London. www.britishmu-seum.org/pdf/charisma-multispectral-imaging-manual-2013.pdf 

Dyer, J., Sotiropoulou. S. (2017). A technical step forward in the integration of visible-induced luminescence imaging methods for the study of ancient polychromy. Heritage Science 5(24). DOI: 10.1186/s40494-017-0137-2. 

Verri, G. (2009). The application of visible-induced luminescence imaging to the examination of museum objects. In: Pezzati, L., Salimbent, R. (eds.) Optics for Art, Architecture, and Archaeology II, Proceedings of SPIE 7391. SPIE, Bellingham. DOI: 10.1117/12.827331. 

Case Studies + General

Sargent, M.L., Therkildsen, R.H. (2010). The Technical Investigation of Sculptural Polychromy at the Ny Carlsberg Glyptotek 2009-2010 – An Outline. In: Østergaard, J.S. (ed.) Tracking Colour: The polychromy of Greek and Roman sculpture in the Ny Carlsberg Glyptotek. Preliminary Report 2, pp. 11-26. Ny Carlsberg Glyptotek. Copenhagen.

Achille, C., Toniolo, L., Valentini, G., Capogrosso, V., Fassi, F., Goidanich, S., ... & Nevin, A. B. (2016). Innovative diagnostic models of artefacts: the case study of Michelangelo’s Pietà Rondanini. In inArt 2nd International Conference on Innovation in Art Research and Technology (pp. 134-135). Peter Vandenabeele.

Brøns, C. Et al. (2018). The Real Thing? Polychromy research employed in authenticity studies. In: Studi Etruschi 79, 195-223, ill. LX-XLIV. 

Hedegaard, S.B., Brøns, C.: Lost in Translation: the challenging task of communicating long-lost polychromy on Graeco-Roman marble sculptures. In: Analecta Romana Instituti Danici (forthcoming). 

Sierzputowski, Kate. “Color Palettes of Historic Paintings Subdivided with Algorithms by Dimitris Ladopoulos.” Colossal, 15 Feb. 2019.

Museum Studies

Colors and Pigments, General

Hass, Nancy. “How One Man Is Recreating Lost Colors.” The New York Times, The New York Times, 5 Sept. 2018.

Schama, Simon. “Treasures from the Color Archive”. The New Yorker, The New Yorker, 28 Aug. 2018.

Eastaugh, N. Et al (2004). Pigment Compendium – A Dictionary of Historical Pigments. Elsevier Butterworth-Heinemann, Oxford.

Ancient Palettes

“Classical Colour Palette Pigments Used by Painters in Ancient Greece and Rome.” ENCYCLOPEDIA OF FINE ART, Visual-Arts-Cork.com.

Skovmøller, A., Brøns, C., Sargent, M.L. (2016). Egyptian blue: modern myths, ancient realities. Journal of Roman Archaeology 29, 371-387.

Verri, G. et al. (2020). Digital mapping of Egyptian blue: conservation implications. Conservation and the Eastern Mediterranean: Contributions to the Istanbul Congress. The International Institute for Conservation of Historic and Artistic Works, London, pp. 220-224. 

Kakoulli, I et al. (2017). Application of forensic photography for the detection and mapping of Egyptian blue and madder lake in Hellenistic polychrome terracottas based on their photophysical properties. Dyes and Pigments 136, pp. 104-155. 

Thavapalan, S. et al. (2016). Color and Meaning in Ancient Mesopotamia: The Case of Egyptian Blue. In: Zeitschrift fürAssyriologie und Vorderasiatische Archäologie 6(2). DOI: 10.1515/za-2016-0014. 

Ancient multi-ethnicity

Frank Snowden, Jr. Blacks in Antiquity (Harvard University Press, 1971).

Tenney Frank, “Race Mixture in the Roman Empire,” The American Historical Review 21.4 (1916).

Stephen Howe, Afrocentrism: Mythical Pasts and Imagined Homes (Verso, 1998).

Bernal, Martin. Black Athena: The Afroasiatic Roots of Classical Civilization, Vol 1:  The Fabrication of Ancient Greece 1785-1985 (New Brunswick, 1987).  

Kwame Anthony Appiah, “There is no such thing as western civilization,” https://www.theguardian.com/world/2016/nov/09/western-civilisation-appia.

Ancient Polychromy, Exposed

Gurewitsch, Matthew. “True Colors” Smithsonian.com, Smithsonian Institution, 1 July 2008.
Whitewashing Ancient Statues: Whiteness, Racism And Color In The Ancient World – Forbes, April 2017

'Gods in Color' returns antiquities to their original, colorful grandeur – CNN, November 2017

Why We Need to Start Seeing the Classical World in Color – Hyperallergic, June 2017
Rediscovering the Blazingly Bright Colors of Ancient Sculptures – Atlas Obscura , February 2018

Black Achilles – Aeon , May 2018

The Myth of Whiteness in Classical Sculpture – The New Yorker, October 2018
Rose-Greenland, F. (2016). Color perception in sociology: Materiality and authenticity at the Gods in Color show. Sociological Theory, 34(2), 81-105.

© Copyright 2019 ColorColab - All Rights Reserved